We started the course by creating tint charts which in themselves are both beautiful to look at and really useful reference materials. We then moved on to our first new project - how to use tinted highlights in a still-life. This was done at home. Our latest project is how to use a dry ground to block in our designs and focus on our palette.
Here are some examples from the dry ground:
![]() |
Anne |
![]() |
Anne W |
![]() |
Bob |
![]() |
Christine |
![]() |
Harry |
![]() |
Janice |
![]() |
John |
![]() |
Leonard |
![]() |
Moira |
![]() |
Pat |
![]() |
Peter |
![]() |
Rose |
![]() |
Sue |
Here are a few paintings folks have been doing since last term, and some of the tinted highlight still-life paintings from the first new project:
![]() |
Anne |
![]() |
Bob |
![]() |
Bob |
![]() |
Christine |
![]() |
Christine |
![]() |
Harry |
![]() |
John |
![]() |
Leonard |
![]() |
Moira |
![]() |
Peter |
![]() |
Sue |
No comments:
Post a Comment